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The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

Time 时间 07.25 Thurs 周四 19:30 – 21:00 Ticket 门票 60 RMB （Entrance only） Language/本期语言: English 英文 According to the latest Art Basel and UBS Global Art Market Report, art sales in China reached $12.9 billion in 2018. Despite a three percent decline from the previous year, last year China was still the third largest […] >> Read more

The Sifang Art Museum and Victor Wang are proud to present the first solo museum exhibition in China by UK‐based artist Haroon Mirza. >> Read more

Simon Lee Gallery is proud to present the European premiere of New York-based artist Marilyn Minter’s video work My Cuntry, >> Read more

AIKE is delighted to share aaajiao's solo exhibition "a'a'a'jiao: an ID" at How Art Museum (Shanghai) from April 27, 2019 until July 14, 2019. >> Read more

Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> Read more

Leo Gallery Shanghai proudly presents photographic artist Alec Von Bargen’s solo exhibition “Solo” this April. >> Read more

Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more