randian | 燃点

David Zwirner is pleased to participate in the fourth edition of Art Basel Hong Kong (Booth 1C21), and 2016 marks the sixth year the gallery has exhibited in the city. >> Read more

Active Withdrawals-Life and Death of Institutional Critique. Book Launch and Conversation (English/Chinese event with simultaneous interpretation) >> Read more

Public program series Discussion between Nikita Yingqian Cai and Song Ta >> Read more

Now in his 9th decade, Alex Katz is one of the greatest living artists. Yet Katz remains in a category of his own. We spoke with Katz by telephone about influences, recent shows and the key model for his entire oeuvre, his wife and muse of 60 years, Ada. >> Read more

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, the artist’s first solo exhibition in Asia, from December 17th, 2017 to April 1st, 2018. The exhibition features 24 works of art, including 5 monumental installations from the collection of Yuz Foundation. Kwade questions the seemingly immutable and unshakable realities in an innovative artistic language […] >> Read more

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

It is too early to decide if I am destroying the tradition of ink painting. —Zheng Chongbin >> Read more

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more

I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more