MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, and showcasing the works of Elliot Dodd (U.K., b. 1978), and Xu Zhen® (2013), Yang Jun (b. 1963), Zhang Lian (b. 1984), Zheng Yuan (b. 1988) and Zhu Yu (b. 1970). The term “boundary” defines an area, which isn’t restricted to a […] >> Read more
Doomsday prophecies have emerged since ancient times, from the Book of Revelation of the Bible, to the Millennium Crisis, to the 2012 Mayan Apocalypse. The end of days seems imminent, yet it never comes. What is the purpose of the doomsday prophecy — to serve as a warning to the world or as a means […] >> Read more
Galerie Chantal Crousel is pleased to present Haegue Yang’s third solo exhibition, "Quasi-ESP", after "Ajar" (2012, La Douane) and "Ovals and Circles" (2013). >> Read more
The International Awards for Art Criticism Ltd. (IAAC) launches the fourth edition of their Awards this month (IAAC 4) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at the Shanghai Minsheng Art Museum on 2 June 2017. >> Read more
Lehmann Maupin is pleased to a present Passage/s, an exhibition of new work by Do Ho Suh. The internationally renowned South Korean artist is best known for his installations, drawings, sculptures, and films, which often reflect on themes of home, displacement, memory, and individuality that evolve from his personal experiences and family history. For this […] >> Read more
“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life.”- Dali Jointly holding an impressive list of 18 international prestigious prizes, including the Hugo Boss Prize, the Enel Contemporary Award Prize, the Venice Biennale Golden Lion Award, and the Benesse Prize amongst many others, internationally renowned and accomplished artists Carsten Höller, Tobias […] >> Read more
Shanghai—Pearl Lam Galleries is delighted to present SLIPPAGES, an exhibition that addresses play of interpretation and perceptual significances as well as suggests alterations, allowing a displacement of elemental and spatial conditions inherent in the work and between the artwork and the viewer. This is manifested both in the content and in the formal structure of […] >> Read more