randian | 燃点

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> Read more

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”. >> Read more

303 Gallery is pleased to announce "I AM WITH YOU," our fourth exhibition of new work by Jeppe Hein. >> Read more

'Dreams, illusions, phantom flowers’ is a collaborative moving image project at Elephant West, >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more

Tina Keng Gallery is pleased to present the solo exhibition Abstraction Contextualized, exploring the oeuvre of pioneering master George Chann and his abstract expressionist works. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more