randian | 燃点

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

Independent Art Spaces (IAS) is pleased to announce its fourth edition from 6 – 8 September 2019. >> Read more

AIKE is delighted to share aaajiao's solo exhibition "a'a'a'jiao: an ID" at How Art Museum (Shanghai) from April 27, 2019 until July 14, 2019. >> Read more

Following a successful exhibition, ‘Human/Non Human/Broken/Non Broken,’ at collector David Chau’s Cc Foundation in 2017, this is Ryan Gander’s second solo show in Shanghai and features work in a variety of media, from time-based animation and a holographic piece, to free-standing sculptures and portrait paintings created since 2016. >> Read more

Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> Read more

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more

303 Gallery is pleased to announce ParaParticular, our second exhibition of new work by Alicja Kwade. >> Read more

"Remapping Reality" marks the first comprehensive presentation of Wang Bing’s collection of Chinese video art from the post-Olympic era. >> Read more

Ota Fine Arts Shanghai is delighted to present “Yayoi Kusama: Prints”, a solo exhibition by Japanese artist, Yayoi Kusama (born 1929, Japan). >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> Read more