randian | 燃点

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more

UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more

The affirmation of the value of individual life, and the constant affirmation of other rights on this basis, allows the boundary of "freedom" to expand, and creativity thus continuously flows, actively refreshing the cognition, and the world of experience grows accordingly. >> Read more

Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> Read more

With the eyes and hearts of the world locked onto the threat and aftermath of COVID-19, MOMENTUM gathers 19 exceptional artists from its Collection, and invites you to come see their stories on our website. >> Read more

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more

Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. >> Read more

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more

Richard Koh Fine Art (RKFA-KL) is pleased to announce Malaysian artist Zelin Seah’s (b.1980) solo exhibition in Malaysia. Too Much, Too Empty >> Read more