The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
Apart from a complex concept created by the human imagination in relation to landscapes, appreciating Liang Ban’s works does not foster a sense of repression and perplexity that often comes with viewing contemporary art. >> Read more
After representing the American Pavilion for the 2013 Venice Biennale, Sarah Sze has now moved on to occupy both Victoria Miro’s spaces in London, in what is in fact Sze’s third exhibition with the gallery. >> Read more
The second edition of the Art021 art fair this year still remained at the Rockbund area, part of the Bund in Shanghai. This erstwhile confluence of money and culture of the British elite in the early 20th century has, 80 years later today, taken on a new look. The Art Deco structures are now stuffed with contemporary art. >> Read more