randian | 燃点

Michael Werner Gallery is pleased to present Marcel Broodthaers: Écriture, an exhibition of major works by one of the most influential artists of the post-war period. The exhibition brings particular consideration to the importance of writing within Broodthaers' complex and diverse oeuvre. >> Read more

Oliver Herring’s multi-disciplinary, globe-trotting, performative project Areas for Action makes its Shanghai debut at BANK with an on-going, open archive of new, tailor-made work in tandem with video and photo documentation of past events. >> Read more

At times whimsical, discomforting and engaging, the artist’s first retrospective assembles over 60 actors to perform in the otherwise empty halls of the museum. >> Read more

Michael Janssen Singapore is pleased to present its first solo exhibition with Singaporean artist Wong Lip Chin. >> Read more

At the opening of "15.11.2014 – 24.01.2015", Jorge Pardo's solo show, I heard people coo over the beauty of the installation. I am not convinced it is meant to be "beautiful". 
 
 
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Edouard Malingue Gallery is pleased to present, ‘Never odd or Even’, a group exhibition project supported by the Ministry of Culture, Taiwan and the Taipei Artist Village, curated by Esther Lu, curator of the Taiwanese Pavilion at the 55th Venice Biennale. >> Read more

Taiwan-born, New York-based artist Lee Mingwei’s performance-installation Sonic Blossom has classically trained opera singers periodically select a museum visitor and approach them with a simple question: May I give you a gift? >> Read more

It began with a simple impromptu invitation. The blurred yellow letters announced “Overlapping Reflection,” an apt title for a contemporary art exhibition at the water-town of Zhujiajiao in the Qingpu District on the outskirts of Shanghai. >> Read more

Xue Tan interviews Mimi Brown, founder of Spring Workshop, and Heman Chong, curator of Spring Workshop’s inaugural program, Moderation(s). >> Read more

Esther Schipper, one of the most influential gallerists in Europe, represents many of the artists who have come to dominate the intellectual scene in what is often described as “relational aesthetics,” a term Schipper herself eschews. >> Read more