Arario Gallery is pleased to announce the opening of a group exhibition entitled Graffiti and Calligraphy: 6 Abstract Artists in China on September 8, 2017. >> Read more
Fosun Foundation Shanghai is proud to present Swiss artist Yves Netzhammer and Chinese artist Qiu Anxiong in two solo exhibitions occupying the center’s second and third floor galleries. >> Read more
In Han Bing’s new paintings, fragments of urban space appear as portraits. Torn posters and sprayed tags and coils of chain-link fence coalesce into veritable personalities—not faces, nothing recognizable, but the sense is there nonetheless. There’s a whole genre of art and film in which the personification of architecture allows personal dramas to play out […] >> Read more
The fastest, the highest, the strongest are the superlatives that came to describe the pace of development in modern China since the opening reforms. >> Read more
Don Gallery is proud to announce Beijing-based painter Li Shan’s first solo exhibition at the gallery. The exhibition, titled “Fuxing Renaissance,” brings together recent works as well as paintings dating from the early and mid-1970s, many of them rarely seen or exhibited before. Urban and natural landscapes have preoccupied the artist continuously for more than […] >> Read more
I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more
Shanghai—Pearl Lam Galleries is delighted to present SLIPPAGES, an exhibition that addresses play of interpretation and perceptual significances as well as suggests alterations, allowing a displacement of elemental and spatial conditions inherent in the work and between the artwork and the viewer. This is manifested both in the content and in the formal structure of […] >> Read more