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2016.05.27 Fri, by

“WAITING FOR QIN FENG”
Fondazione Giorgio Cini, Venice

“Waiting for Qin Feng,” a solo exhibition of work by Chinese ink artist Qin Feng, will be on view in Venice from May 19 - June 19, 2016. Installed in three locations including the former Monastery of San Giorgio Maggiore... >> Read more
2015.05.16 Sat, by

Pearl Lam Galleries invites you to the Opening of “Flux”, Wang Huangsheng solo exhibition

Shanghai—Pearl Lam Galleries is pleased to presentFLUX, an exhibition of works by eminentartist and artistic director Wang Huangsheng, >> Read more
Commentary, 2014.06.05 Thu, by

Super-Marketization in Hong Kong: Why are auction houses opening gallery spaces in Hong Kong?

Targeting the ever-expanding scale and scope of collectors in Asia, these “art supermarkets” are no doubt a logical strategic development.
 
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Commentary, 2013.12.03 Tue, by

Re-discovering Zeng Fanzhi in Paris

He taps into a common sense of isolation which surpasses the boundaries of nations, culture, language, and ethnicity. The artist creates a window into the current state of Chinese society, and in some ways even affirms many Western preconceptions about China. >> Read more
Interviews, 2012.06.04 Mon, by

Interview with Elisabeth de Brabant

And there are tremendous artisans in the Chinese market. It would be amazing to see contemporary porcelain. The Koreans are doing very interesting porcelain in contemporary art. It would be nice to be able to go back into woodwork craftsmanship. Chinese contemporary art is getting back into Chinese ink. I think it will happen in time, but it would be nice to see more usage of their ancestry and different crafts. >> Read more
Interviews, 2011.10.24 Mon, by

Interview with Elisabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more
Art World, 2011.03.11 Fri, by

Zaijian! Guy Ullens says goodbye to UCCA

So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> Read more
Art World, 2010.10.24 Sun, by

Talking With Elizabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China […] >> Read more

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