randian | 燃点

I am delighted to announce that we are moving to a new location at 398 West Street (between Charles and W 10th) in the trendiest part of the West Village, just blocks from the new Whitney Museum and the commencement point for the High Line. This is amongst the most covetous areas of New York […] >> Read more

It began with a simple observation. Jung Lee saw that a significant and potential segment of collectors were not being served by the current Chinese art system. >> Read more

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

(中文) 它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭，不间断地继续着比赛，而这正是“比赛继续，舞台留下”的意义。 >> Read more

Simon Lee Gallery, London, is pleased to present En Plein Air, >> Read more

Almine Rech London is pleased to present a solo exhibition by Tom Wesselmann, opening January 30th and continuing until March 23, 2019. >> Read more

Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> Read more

In Slapstick, Todd Bienvenu’s new show at Almine Rech, comedy springs from the physical world failing human ambition. His scenes teem with raucous energy, feeding off the kind of ugly emotions usually swept under the carpet by art world good manners. Humiliation, embarrassment and loss crash-land into his canvases like uninvited guests. Bienvenu’s eye is compulsively […] >> Read more