randian | 燃点

Thomas Eller’s THE virus – SELBST (C0vid-20-Recovered) (2020) was made in the midst of the Corona pandemic, while the artist was in lockdown in China. As so much of Eller’s work, it is a self-portrait, yet at the same time, also an intimate portrait of COVID-19; replicating in its form and content the biological basis […] >> Read more

Simon Lee Gallery is proud to announce Percussia a solo exhibition of new work by Glasgow-based artist France-Lise McGurn. This is the artist’s debut exhibition with the gallery and the first in London since Sleepless, her 2019 solo exhibition at Tate Britain. >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

by Alice Gee Sifang Art Museum Shanghai pop-up (Jing’An District) 8 Nov.-8 Dec. 2019 I stand beside three large rings mounted on white platforms at equidistant intervals. Nik Kosmas is talking about 13 years ago and being 20 someplace else. ‘I’m 21!’ I blurt out. I edge back and hope one of Li Jingxiong’s tarpaulins […] >> Read more

A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner >> Read more

Richard Koh Fine Art (RKFA) is pleased to announce Nadiah Bamadhaj’s (b.1968) solo exhibition in Singapore. >> Read more

Richard Koh Fine Art (RKFA) is pleased to announce Malaysian artist Justin Lim’s (b.1983) highly anticipated solo exhibition in Malaysia. >> Read more

Richard Koh Fine Art (RKFA) is pleased to announce Malaysian artist Justin Lim’s (b.1983) >> Read more

Simon Lee Gallery, New York, is pleased to present a two-person exhibition featuring the work of Los Angeles-based artists Marnie Weber and Justin John Greene. >> Read more

The 2018 Exhibition of the Annual on Contemporary Chinese art is not organized thematically, but presents a summary outlook of contemporary Chinese art in 2018, relating artistic practices, theories, exhibitions and art phenomena, etc. It is a continuation of the archival work conducted by the Chinese Modern Art Archive (CMAA) since 1986. >> Read more