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Art World, 2013.11.08 Fri, by

Opening Time Capsules: Song Dong’s “Waste Not” at the 5th Moscow Biennale

The 5th Moscow Biennale is curated by Catherine de Zegher with the title derived from Goethe's famous last words: “More light!” “More Light” is not a blinding lineup of spotlight-wary, biennial-ized superstars... >> Read more
Art World, 2013.10.31 Thu, by

Curiosity and Confidence: Singapore Biennale 2013

This year’s Singapore Biennial officially contains 82 works—over half commissioned for the occasion—spread across ten venues in the center of the city. Singapore Art Museum is the focal point. An ecstatic opening ceremony drew crowds of people and fanfare from the announcer plus a hired drumming performance with... >> Read more
Art World, 2013.06.25 Tue, by

China in Venice

Artists, critics, and enthusiasts from the mainland, the territories, and the diaspora alike – doubtless alongside countless numbers of Sinophiles – will find Venice a welcoming second home this summer and autumn.
 
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Art World, 2013.06.20 Thu, by

Notes and Quotes and Pics and Bits from Venice

On the day the winners are announced, I stumble upon the celebratory drinks for the combined Lithuanian and Cyprus Pavilions, which won a special mention from the jury...
 
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Art World, 2013.04.29 Mon, by

Jean Nouvel Designs New NAMOC, China Pavilion in Venice & More

Jean Nouvel designs the New NAMOC, China Pavilion in Venice to be cleared of oil barrels, and more. >> Read more
思考, 2010.12.15 Wed, by

Why Care about the Shanghai Biennale?

How a Shanghai institution helped legalize avant-garde art practice. >> Read more
思考, 2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
思考, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
思考, 2020.10.30 Fri, by

Xie Nanxing: “A Roll of the Dice”, Galerie Urs Meile Beijing

Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> Read more
思考, 2020.08.04 Tue, by

In loving memory of the late LIN Xue (1968-2020)

In loving memory of the late LIN Xue (1968-2020) >> Read more

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