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2019.03.14 Thu, by

Li Jin
Flesh and Bone
Ink studio

INK studio is proud to present Flesh and Bone, a comprehensive survey of internationally renowned artist Li Jin’s early works, >> Read more
Interviews, 2019.03.06 Wed, by

The eye, the hand and the heart.
An interview with Maggi Hambling

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more
Interviews, 2019.02.03 Sun, by

FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more
Interviews, 2019.01.08 Tue, by

Dinh Q. Lê, Pure Land, Tang Contemporary Art Bangkok

Tang Contemporary Art Bangkok proudly presents Pure Land, a solo show featuring newly commissioned works by acclaimed Vietnamese-American artist Dinh Q. Lê. >> Read more
Interviews, 2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
Think, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
Think, 2018.06.23 Sat, by

ZANG KUNKUN and GUO-LIANG TANZANG
‘Etherial Machines’
Mai 36 Galerie and Ota Fine Arts, Shanghai

Mai 36 Galerie and Ota Fine Arts Shanghai are delighted to present Ethereal Machines, a dual exhibition that brings together Chinese artist Zang Kunkun and Singapore artist Guo-Liang Tan. >> Read more
Interviews, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more
Interviews, 2018.05.12 Sat, by

Larger than Life—AA Bronson and Alvin Li in Conversation

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more
Interviews, 2018.05.08 Tue, by

A.R. PENCK
Paintings From The 1980s and Memorial To An Unknown East German Soldier
Michael Werner Gallery, New York

Michael Werner Gallery, New York is pleased to announce two exhibitions of works by A.R. Penck, one of the most important artists to emerge from Germany during the post-war period. Paintings from the 1980s and Memorial to an Unknown East German Soldierwill be presented concurrently from 9 May to 13 July. >> Read more

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