randian | 燃点

The Singapore-based artist Ho Tzu Nyen will present his multimedia project ‘The Critical Dictionary of Southeast Asia, Vol. 1: G for Ghost(writers)’. Developed during his AAA residency, the installation introduces an interactive internet platform created in collaboration with Pad.ma, Yasuhiro Morinaga, and Bani Haykal. >> Read more

ShanghART Gallery is pleased to present “ZHU Jia : Critical Pervasion” from 4th of November to 19th of December 2015. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

The HdM gallery is currently hosting an exhibition of French artist Martial Raysses’s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene. >> Read more

Richard Koh Fine Art (RKFA-KL) is pleased to announce Malaysian artist Zelin Seah’s (b.1980) solo exhibition in Malaysia. Too Much, Too Empty >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

The Institute of Contemporary Arts at NYU Shanghai is a non-profit kunsthalle and research center committed to the development, presentation, and exchange of diverse ideas through contemporary arts. Our commitment is based on a core belief that engagement with art engenders critical thought, creativity, and openness to complexity, across disciplines and society and in everyday […] >> Read more

Time 时间 07.25 Thurs 周四 19:30 – 21:00 Ticket 门票 60 RMB （Entrance only） Language/本期语言: English 英文 According to the latest Art Basel and UBS Global Art Market Report, art sales in China reached $12.9 billion in 2018. Despite a three percent decline from the previous year, last year China was still the third largest […] >> Read more

The 2018 Exhibition of the Annual on Contemporary Chinese art is not organized thematically, but presents a summary outlook of contemporary Chinese art in 2018, relating artistic practices, theories, exhibitions and art phenomena, etc. It is a continuation of the archival work conducted by the Chinese Modern Art Archive (CMAA) since 1986. >> Read more

THE TWENTY-EIGHT PERCENT by Sara Kramer At this year’s Art Brussels press conference, it was announced as a positive development that 28 % of the participating artists at this year’s fair were women. To be fair, it is in fact an improvement in comparison to last year where it was only 21 %. Despite the […] >> Read more