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Artist profiles, 2013.06.18 Tue, by

Endless Circuit: Disjointed Notes towards an Essay on the Work of the Artist Yu Youhan

Paul Gladston charts the trajectory of Yu Youhan’s practice from his literati inspired abstract works, to his political pop paintings to his fusion inspired landscapes — revealing new meanings behind his worth through in-depth interviews with the artist. >> Read more
Artist profiles, 2013.04.26 Fri, by

Avant-Garde Micro Film Festival

...When these films are collected and exhibited, they not only show their ‘micro’, but also involve abnormal ‘avant-garde’. >> Read more
Artist profiles, 2013.04.24 Wed, by

New Framework: Chinese Avant-garde Photography 1980s-90s

Blindspot Gallery is proud to present “New Framework: Chinese Avant-garde Photography 1980s-90s” in mid-May, a group show featuring the photographic works of Ai Wei Wei, Gu Zheng, Han Lei, Hong Lei, Jiang Zhi…… >> Read more
Artist profiles, 2013.04.22 Mon, by

Sanyu – A Pioneering Avant-Garde in Chinese Modernist Art

The Tina Keng Gallery (Taipei) is pleased to present Sanyu’s (1901-1966) solo exhibition, Sanyu – A Pioneering Avant-Garde in Chinese Modernist Art, on view from April 13 to May 12, 2012 (opening reception: Saturday, April 13, 4:30-7:00pm). >> Read more
Artist profiles, 2012.11.28 Wed, by

What is an Artist Book?

In today’s world of virtual communication and visual explosion, "what is a book" could be a purely metaphysical question. In a more profound sense, books could be an indication of the times, or else as Pierre Bourdieu said, they signify “symbolic power” since books and reading had been the sole privilege of a society’s elite for a long time in history. >> Read more
Interviews, 2011.03.16 Wed, by

Answering the Question: What is the Chinese Avant-Garde?

Zhai Zhenming in Conversation with Paul Gladston. >> Read more
Artist profiles, 2020.10.11 Sun, by

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Artist profiles, 2020.06.30 Tue, by

Recovery, See-Saws, and Turbulence

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more
Interviews, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more
Artist profiles, 2020.06.17 Wed, by

Liu Xi’s Paradox

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

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