randian | 燃点

The affirmation of the value of individual life, and the constant affirmation of other rights on this basis, allows the boundary of "freedom" to expand, and creativity thus continuously flows, actively refreshing the cognition, and the world of experience grows accordingly. >> Read more

Call for Applications (2020 Intake): MFA in Creative Media and MA in Creative Media (City University of Hong Kong) >> Read more

Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more

If we really need to find it out, we may best say that as long as there is the individual, oppressed by reality and the difficulty in expressing their emotions, this passive way of resistance will inevitably reappear. >> Read more

Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> Read more

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more

Three on the Bund announces the reopening of one of Shanghai’s oldest and most renowned contemporary galleries. Originally launched in 2004, the gallery will reopen on September 20th. Marking its departure from the traditional model of a private gallery the space formerly known as Shanghai Gallery of Art is now simply called SGA. >> Read more

‘The power of holding two contradictory beliefs in one's mind simultaneously, >> Read more