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2016.08.30 Tue, by

Datumsoria: An exhibition of
LIU Xiaodong, Carsten Nicolai
and Nam June Paik
Chronus Art Center
Shanghai

Chronus Art Center is pleased to announce the much-anticipated presentation of Datumsoria: An Exhibition of LIU Xiaodong, Carsten Nicolai, and Nam June Paik. >> Read more
2016.07.28 Thu, by

Creativity in Shenzhen

Shenzhen, as a starting point and as a shadow, faces the huge challenge of China’s transformation from “production” to “creation.” >> Read more
2016.07.02 Sat, by

Time Test: International Video Art Research Exhibition

In recent years, large-scale exhibitions on the academic study, historical overview, and specialized exhibition of video art have been held in both western and non-Western countries. >> Read more
2016.04.22 Fri, by

Chronus Art Center Research and Creation Fellowship | Call for Proposals

(中文) 今年,新时线媒体艺术中心(CAC)将开展为期三个月的研究和创作学术奖金项目。 >> Read more
2016.04.20 Wed, by

Encounters with Pompidou

Invitation to contribution to this exhibition underlines conditions of production within large scale institutions, opening up question how to be stay independent or whether it is possible to do so within art system today? >> Read more
2015.08.27 Thu, by

LI SHAN: New Works and Selected Works from the 1970s – James Cohan Gallery Shanghai

James Cohan Gallery Shanghai is pleased to present its second solo exhibition with the Beijing-based painter Li Shan. >> Read more
2015.05.12 Tue, by

Press the Button: Leung Chi Wo

In a single work, the artist has involved a play on words, the arrangement of space, the shape of the sky, changes in the perception of social spaces over time, personal observations and memory, and constructed a relationship with the viewer... >> Read more
2011.04.12 Tue, by

Interview with Josh Baer of The Baer Faxt

Chris Moore spoke with Josh Baer, discussing how he does what he does, and solicited his opinion of the VIP virtual art fair, art funds, gallery-collector ‘loans,’ and the difficult question of art market transparency. >> Read more
History & Theory, 2010.09.09 Thu, by

The Double Way

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more

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