randian | 燃点

A winter walk through some of the galleries in Caochangdi art district, perusing the shows.
 
 
 
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William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more

Chambers Fine Art is pleased to announce the opening on June 22, 2019 of Song Hongquan: Underground. >> Read more

Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> Read more

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more

Kasmin is pleased to announce an exhibition of new works by Matvey Levenstein, on view at 293 Tenth Avenue between January 24 - March 2, 2019. >> Read more

Ben Brown Fine Arts is thrilled to present the first solo exhibition of Ena Swansea in Hong Kong.Ena Swansea: mental map: Central Park brings together a group of recent paintings of urban landscapes, many depicting luminescent snow scenes, that verge on abstraction. This exhibition follows Swansea’s highly successful show in 2018 at Ben Brown Fine Arts, London. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more