randian | 燃点

Storyboard is the first solo exhibition of the Slovak artist Roman Ondák in the greater China region, and the largest survey of this artist to be held in an Asian non-profit institution. >> Read more

(中文) 《这里没有风景》是国际当代艺术家弗拉基米尔·尼科利奇在继广东时代美术馆以后，2015年新年之初在上海的首次个展。 >> Read more

Active Withdrawals-Life and Death of Institutional Critique. Book Launch and Conversation (English/Chinese event with simultaneous interpretation) >> Read more

无论是作为一个展览还是一次研究，“惯例下的狂欢”从观念的提出，到问题的探讨范围，都不像是给艺术界以外的观众所准备，而更像是策展人、学人、艺术家与机构管理者之间的内部理论学习与交流——这本身就是“惯例”的最好体现。 >> Read more

Side-by-side but dispersed seems a good description of young Chinese artists’ practices. It is up to others—critics, say, or viewers, curators, art historians—to make connections, to identify themes in artists’ practices, but it is worth noting how little their preoccupations, at least in this small sample, are in dialogue with each other... >> Read more

This article is available only in Chinese.
 
 
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Coming on to sixteen years since its inception, the CCAA (Chinese Contemporary Art Award) has decided to open up to public nominations on the basis of its original system of nominators. >> Read more

The Hong Kong Arts Development Council (ADC) and M+ (Hong Kong’s up-and-coming museum for visual culture and contemporary art in the West Kowloon Cultural District) announced today that Tsang Kin-Wah has been chosen to represent Hong Kong at the 56th Venice Biennale in 2015... >> Read more

On Tuesday, the group exhibition “Landscape: the Virtual, the Actual, the Possible?” opened at the Guangdong Times Museum in Guangzhou. >> Read more

On the evening of May 23, the ACC Awards Art China for the Most Influential held its award ceremony in Cining Palace (“Palace of Benevolent Tranquility”) within the Forbidden City in Beijing.
 
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