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2014.02.27 Thu, by

Partial Reverie: Yayoi Kusama at MoCA Shanghai

As a complex and prolific artist, Kusama marks her days plotting bold dots in the trajectory of Japanese contemporary art. Her installations of floating world constructed with flickering lights have few precedents in their lasting three dimensional transformation of space.
 
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Commentary, 2013.06.06 Thu, by

The Elysée Treaty and Curatorial Strategies of Reconciliation

On the occasion of the 50th anniversary of the Elysée Treaty, which ended a disastrous century of arch enmity between France and Germany, a very ambitious conference was held at the famous China Academy of Arts in Hangzhou... >> Read more
Commentary, 2013.04.28 Sun, by

Body-City-Mechanism

Please join us on April 25th for our 52nd exhibition at our m50 home for a multimedia delight exploring ideas of urban growth, biological design and metropolitan identity through a series of interactive artworks and installations. >> Read more
Commentary, 2013.03.28 Thu, by

SOPHISTS – Di Jinjun Photography Exhibition

(中文) 邸晋军的《智者》系列,将镜头对准了几位在文学、哲学和艺术领域累足成步、造诣颇深的高士,其中亦有我个人十分敬重的先生,曾经听过先生的讲座,读过先生的文章,甚至是在形式上共过事。 >> Read more
Artist profiles, 2013.03.14 Thu, by

The Afterlife of Images: Yan Lei and Zhou Tiehai

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more
Artist profiles, 2013.03.06 Wed, by

The Lethe Machine — Yang Fudong and Wang Jianwei

As consumers of cinema, as addicts, we mainline film’s nostalgia, the way it seduces our caved Platonic souls to believe in brusque impressions. We feel the awkwardness of cinematic ghosts, even empathize with them, blinding ourselves like Oedipus.... >> Read more

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