randian | 燃点

Magician Space is honored to present Fruit Cell, an art project by Chinese artist Yu Bogong this summer. In the mid-1990s, Yu Bogong arrived at the Yuanmingyuan artist village in Beijing. Yuanmingyuan, as a gathering place for avant-garde artists, directly contributed to the development of Chinese contemporary art during a time when such art had […] >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

PIFO Gallery is delighted to present the distinguished German contemporary artist Franz Ackermann’s first solo exhibition in mainland China. >> Read more

If you cannot place the artist Wu Di together with an immediate image of her art, it is not because she is a new artist or because you have not seen her work. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

Tang Contemporary Art Bangkok proudly presents Pure Land, a solo show featuring newly commissioned works by acclaimed Vietnamese-American artist Dinh Q. Lê. >> Read more

Stepping into the exhibition, what I first noticed were two Chinese characters about a person’s height, printed in red, jumping out from the white background of the gallery. These characters provide the most distinctive visual cues in Zeng Hong’s solo exhibition “Quaderni Rossi”. >> Read more

Of the Infinite Mind, the latest solo exhibition of artist Wu Jian’an, will open on December 9th, 2018 at Guardian Art Center, Beijing. This exhibition is jointly organized by the Central Academy of Fine Arts (CAFA) and Guardian Art Center, co-organized by Wanying Art Museum, Academically chaired by Fan Di’an, and curated by Zheng Yan. >> Read more

(中文) 倘若今天还能探讨美学效果而不被人嗤之以鼻，我们应从何种角度去思考艺术家的创作或创造？康德很久以前就提示过我们，任何艺术都不如一场战争或一场自然灾害那样令人震撼。战争作为人类各种暴力的集中爆发，而自然灾害是超越人类尺度的狂暴力量，两者都会造成人类难以承受的肉体和精神创伤。 >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more