randian | 燃点

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

(中文) 它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭，不间断地继续着比赛，而这正是“比赛继续，舞台留下”的意义。 >> Read more

对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more

TAKI is an important figure in the artist’s simple social life structure. >> Read more

Wie wurde Xu Hongxiang so gut, in so kurzer Zeit? >> Read more

On May 18th MadeIn Gallery will launch “The Variable and the Generating” >> Read more

Leo Gallery Shanghai proudly presents photographic artist Alec Von Bargen’s solo exhibition “Solo” this April. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more