randian | 燃点

Yuz Museum is pleased to present Melike Kara’s first solo exhibition in China, “A Taste of Parsley,” from July 7th to September 9th, 2018 at Yuz Project Space of Art >> Read more

Museum 2050 is a Shanghai-based platform for investigating key issues about the future of cultural institutions in China and abroad from a local perspective. >> Read more

One of Leo Gallery's ten-year anniversary exhibition series, >> Read more

Toulu Hassani’s second solo exhibition at Galerie Rüdiger Schöttle merges her two key methodologies: delicate oil paintings and visual objects made of artificial resin. Her distinct interest in the way humans try to interpret and represent the world through theories and models is intrinsic to, and clearly visible in, her works. >> Read more

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more

The China Pavilion at the 57th Venice Biennale in 2017 was curated by Qiu Zhijie, >> Read more

(中文) 2018年3月17日,首届“宝龙艺术大奖优秀作品入围展”，在初春的上海拉开展览序幕。 >> Read more

A strong advocate for the internationalisation of art, Nathalie Obadia has been instrumental in introducing Chinese artists such as MadeIn, Ni Youyu and Wang Keping to the Paris art scene. >> Read more