randian | 燃点

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, is pleased to announce the launch of the Sigg Prize, which recognises outstanding artistic practice in the Greater China region. This prize continues and expands the work the Chinese Contemporary Art Award (CCAA) has done over the past two decades. >> Read more

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, >> Read more

All of which is to say that Cárdenas arrived in France not as some unformed, marginal or alien other (albeit his work was absolutely unknown in Europe at the time of his arrival in Paris)... >> Read more

One of Leo Gallery's ten-year anniversary exhibition series, >> Read more

One of Leo Gallery's ten-year anniversary exhibition series, >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more

A strong advocate for the internationalisation of art, Nathalie Obadia has been instrumental in introducing Chinese artists such as MadeIn, Ni Youyu and Wang Keping to the Paris art scene. >> Read more

Sorry, this entry is only available in 中文. >> Read more