randian | 燃点

For the fourth edition of the Crystal Ruth Bell Residency, Red Gate & China Residencies are inviting people to apply for a funded residency in Beijing for the months of November and December 2017. >> Read more

For the third Crystal Ruth Bell Residency, Red Gate & China Residencies are calling for people who base their practice in research to apply for a funded residency in Beijing for the months of November and December 2016. >> Read more

The messages of most of the art works in “Virtual Voices” are restrained, perhaps a little too subtle for audiences in Vancouver to grasp given the cultural context of the art — the exception being Remon Wang’s political cartoons. >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

by Ran Dian Not a lot of positive news comes out of Hong Kong these days but the shortlist for the revamped CCCA (Chinese Contemporary Art Award) has just been announced. Nominated artists are Hu Xiaoyuan, Liang Shuo, Lin Yilin, Tao Hui, Shen Xin and Samson Young. Two are women: Hu Xiaoyuan and Shen Xin. […] >> Read more

We are pleased to present the solo show of Xu Hong at the Triumph Gallery in 798 Art Zone in Beijing, entitled The Space Inside Within on May 24, 2019. Curated by the international curator Thomas Eller, the exhibition presents three work groups by the prolific artist for this exhibition grouped around the artist ́s […] >> Read more

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more

(中文) 上海摄影艺术中心（SCoP）荣幸地宣布最新展览《摄寻千里：十见天地》将于2018年12月8日开幕。《摄寻千里：十见天地》聚焦新生代摄影师的新视角，遴选了十位杰出摄影师的二百余件作品，包括：陈荣辉、甘莹莹、黎朗、骆丹、木格、史阳琨、汪滢滢、张克纯、张晓，以及庄辉。 他们的作品中透露着对历史和社会的关注，以及个人、团体和社会的自我意识。通过这些特质，他们审视着当下，唤起了过去也指示着未来。 >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more