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2016.03.31 Thu, by

BENTU

The strength of "Bentu" lies in the way it chooses to focus on a few strong, individual artworks.
 
 
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2016.03.05 Sat, by

Conversations and Salon: Art Basel’s talks program returns to Hong Kong

Art Basel’s Conversations and Salon program returns to Hong Kong with a wide range of panels featuring prominent figures within the international art world, from leading artists, gallerists and collectors >> Read more
2015.10.13 Tue, by

Dhaka Art Summit

The Samdani Art Foundation is pleased to announce further details about the participating artists and thinkers who will constitute the third edition of the globally acclaimed Dhaka Art Summit (DAS), the world’s largest non-commercial platform for South Asian art. >> Read more
2015.09.18 Fri, by

Opening GAVIN TURK I SECUNDINO HERNÁNDEZ I ERIK VAN LIESHOUT – September 16, 2015, 7 PM

It’s a natural and useful process. As the career of an artist becomes consolidated, his work is subject to a discourse that facilitates knowledge of the same and determines its popularity. >> Read more
2015.09.17 Thu, by

Nam June Paik: The Late Style (1996–2006)

Randian is pleased to share an essay by leading Nam June Paik scholar, John G. Hanhardt, commissioned by Gagosian Gallery for the exhibition catalogue. >> Read more
2015.08.25 Tue, by

‘Neo-Perception’: China’s New Generation of Women Artists—Pearl Lam Galleries

Shanghai—Pearl Lam Galleries is pleased to presentNeo-Perception, a group exhibition thatgathers the works of 24 young female Chinese contemporary artists. >> Read more
2015.08.13 Thu, by

Chow Chun Fai: I Have Nothing To Say

Artist’s Reception Thursday, 20 August 2015, 6 to 8pm Exhibition Period 20 August – 12 September 2015 Curatorial Statement Silent Witness: Chow Chun Fai’s I Have Nothing to Say Valerie C. Doran Hanart TZ Gallery is pleased to announce Chow Chun Fai’s new solo exhibition I Have Nothing To Say, which opens on 20 August […] >> Read more
2015.06.24 Wed, by

Park Seo-Bo: The Beginning

Park Seo-Bo is recognized as one of the fathers of Korean modernism. Disenchanted with the realism prevalent in Korea in the 1950s, Park turned towards abstraction and was a founding member of the Dansaekhwa movement.
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2015.03.23 Mon, by

Basel’s Baby

Art Basel is a show, not a fair. The distinction, albeit self-assumed, is critical. The third year of Art Basel Hong Kong was a success— as predicted, as organized, as executed, as reported...
 
 
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2015.02.13 Fri, by

Bingyi: Intensive/Extensive

Ink Studio is pleased to announce the opening of Bingyi’s first major solo exhibition in China Intensive/Extensive on March 21, 2015. >> Read more

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