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2020.02.24 Mon, by

Buddhist Youths: United Collective Indifference

If we really need to find it out, we may best say that as long as there is the individual, oppressed by reality and the difficulty in expressing their emotions, this passive way of resistance will inevitably reappear. >> Read more
2020.01.13 Mon, by

Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> Read more
2019.12.19 Thu, by

MAI-THU PERRET
News From Nowhere
Simon Lee Gallery, Hong Kong

The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> Read more
2019.11.30 Sat, by

Zheng Bo at NYU Shanghai: Eco-Socialist Garden

In 2019, Zheng Bo once again introduced the "workshop" into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups. >> Read more
2019.10.09 Wed, by

Zheng Bo: Goldenrod

Goldenrod by ZHENG Bo opens as the inaugural exhibition at the new ICA at NYU Shanghai >> Read more
2019.06.26 Wed, by

2018 Contemporary Chinese Art Exhibition
Beijing Minsheng Art Museum

The 2018 Exhibition of the Annual on Contemporary Chinese art is not organized thematically, but presents a summary outlook of contemporary Chinese art in 2018, relating artistic practices, theories, exhibitions and art phenomena, etc. It is a continuation of the archival work conducted by the Chinese Modern Art Archive (CMAA) since 1986. >> Read more
2019.05.02 Thu, by

Review: Doug Aitken at Faurschou Foundation Beijing

Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> Read more
2019.05.02 Thu, by

Tobias Rehberger
‘If You Don’t Use Your Eyes To See
You Will Use Them To Cry’
RAM Shanghai

Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> Read more
2019.04.02 Tue, by

Dhaka Art Summit – Programme Announcement – 7-15 February 2020

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more
访谈, 2019.03.25 Mon, by

From Basel to Hong Kong. An interview with Dominique Lévy

Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> Read more

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