A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more
KERJASAMA, or ‘COLLABORATE’, is a reciprocal visual arts residency between an Australian and an Indonesian artist. Kerjasama was launched in 2014 through Asialink’s arts residency laboratory, in partnership with Artback NT, Australia and Cemeti Art House, Indonesia. This exchange residency program is supported by the Australian Government through the Aboriginal and Torres Strait Islander program, […] >> Read more
I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more
“Painting without painting, creating without creating, this is what I want.” Axel Vervoordt Gallery Antwerp is pleased to present its solo exhibition of Chung Chang-Sup (Cheongju, 1927 – Seoul, 2011), a prominent member of the Korean art movement Dansaekhwa*. After two decades of studying and practicing Western abstract art, more particularly Art Informel, Chung Chang-Sup […] >> Read more
It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more
Chronus Art Center is pleased to announce the much-anticipated presentation of Datumsoria: An Exhibition of LIU Xiaodong, Carsten Nicolai, and Nam June Paik. >> Read more
A similar trance-poetics is evident in the films of James Benning, who, as Stein did in literature, achieves a temporalization of space and a spatialization of time. >> Read more