randian | 燃点

After major expansion and renovation, the Hong Kong Museum of Art (HKMoA) will be reopening in November this year. >> Read more

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

Tang Contemporary Art Bangkok proudly presents Pure Land, a solo show featuring newly commissioned works by acclaimed Vietnamese-American artist Dinh Q. Lê. >> Read more

Edouard Malingue Gallery is delighted to share Su-Mei Tse's first solo exhibition in China, 'Nested' at Yuz Museum Shanghai curated by Christophe Gallois, Mudam Luxembourg and Wen Shi, Yuz Museum Shanghai. >> Read more

Of the Infinite Mind, the latest solo exhibition of artist Wu Jian’an, will open on December 9th, 2018 at Guardian Art Center, Beijing. This exhibition is jointly organized by the Central Academy of Fine Arts (CAFA) and Guardian Art Center, co-organized by Wanying Art Museum, Academically chaired by Fan Di’an, and curated by Zheng Yan. >> Read more

S.E.A. Focus, a new platform to raise attention on Southeast Asian modern and contemporary art, today revealed the list of galleries and artists partaking in its inaugural edition (23 – 27 January 2019). >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Esther Schipper is pleased to announce The Light Pours Out, Martin Boyce's first solo exhibition with the gallery. >> Read more