randian | 燃点

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

With the eyes and hearts of the world locked onto the threat and aftermath of COVID-19, MOMENTUM gathers 19 exceptional artists from its Collection, and invites you to come see their stories on our website. >> Read more

With the eyes and hearts of the world locked onto the threat and aftermath of COVID-19, MOMENTUM gathers 19 exceptional artists from its Collection, and invites you to come see their stories on our website. >> Read more

The Bunker art space announced Thursday that its landlord, Renmin University Of China, has decided to convert the entire courtyard into a ‘patriotic education base’ and was resuming all premises in the adjacent courtyard, particularly those with historical significance, such as the former bunker. >> Read more

Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> Read more

I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> Read more

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more

Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> Read more

If we really need to find it out, we may best say that as long as there is the individual, oppressed by reality and the difficulty in expressing their emotions, this passive way of resistance will inevitably reappear. >> Read more

Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. >> Read more