randian | 燃点

Para Site presents a weekend event that consists of a long-night marathon of anime screenings, a panel discussion on the imagination of Sekaikei and its visual representation, as well as a special Hong Kong premiere of Fuyuki Yamakawa’s performance. >> Read more

Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more

“Miraculous 2018 (Flowers, Light & Art)” is the first large-scale crossover floristry art show in China that integrates floristry, >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

Owing to Edouard Malingue Gallery's great commitment, Condo will finally come to Shanghai in July 2018. “Condo” — taken from “Condominium” (com “together” and dominium “right of ownership”, referring to a territory formally shared by different powers) — is a new format for international galleries to collaborate in exhibition-making. >> Read more

For the first edition of Condo Shanghai, AIKE is pleased to host Peres Projects, Koppe Astnerand Soy Capitan and present the exhibition featuring three emerging painters: Ajarb Bernard Ategwa, Grace Weaver and Wang Xiaoqu. Each of the artists from different continent explores the theme of figure painting with distinct approaches. Ajarb Bernard Ategwa was born […] >> Read more

From June 23rd to July 23rd, 2018, Capsule Gallery is proud to present “Pucker,” >> Read more

From 26th June to 26th August 2018, Rockbund Art Museum is very proud to present Systems, >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

All of which is to say that Cárdenas arrived in France not as some unformed, marginal or alien other (albeit his work was absolutely unknown in Europe at the time of his arrival in Paris)... >> Read more