randian | 燃点

Targeting the ever-expanding scale and scope of collectors in Asia, these “art supermarkets” are no doubt a logical strategic development.
 
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Gagosian Hong Kong is pleased to present Alberto Giacometti's complete suite of lithographs Paris sans fin (Paris without end) together with key sculptures, paintings, drawings, photographs, and archival material from the same period, shedding new light on the creation of one of the major artist's books of the twentieth century. >> Read more

Broad beyond belief, in cultural terms, in comparison with the millennia-spanning survey “China: 5,000 Years” or the more standard national survey shows still favored by mid-sized institutions today, the exhibition's remit is both ambitious and impossible. >> Read more

Notable returnees included Marian Goodman, who will open a London branch in Autumn 2014 and Max Hetzler from Berlin, who as one of Jeff Koons’ first European gallerists, had his booth strategically placed opposite Gagosian’s solo presentation of large-scale works of one of the world’s most expensive living artist. >> Read more

This year’s incarnation of the Frieze Art Fair was palpably safe, featuring many stalwart galleries from around the world exhibiting tried and true works.
 
 
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A successful start for a new art fair in one of Europe's art market capitals, and specializing in emerging markets.
 
 
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Francois Curiel, Christie's Asia president on strong Asia growth: "in the first half of this year there was a 31% increase in Asian clients registering to bid on our sales in London and New York."

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As ARTHK slowly turns into Art Basel, Randian takes stock >> Read more

On the First Kiev Biennale of Contemporary Art >> Read more

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more