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2014.11.21 Fri, by

Active Withdrawals-Life and Death of Institutional Critique

Active Withdrawals-Life and Death of Institutional Critique. Book Launch and Conversation (English/Chinese event with simultaneous interpretation) >> Read more
Commentary, 2014.09.18 Thu, by

Country Pursuits: Hauser and Wirth

The usual summer lull affecting the art world didn’t apply this year in rural England. “We loved what we saw. And then this project fell in our lap,” Ivan Wirth told the FT about finding Durslade Farm. >> Read more
Commentary, 2014.01.29 Wed, by

Xu Bing: A Retrospective

In January 2014 Taipei Fine Arts Museum presents Xu Bing: A Retrospective, curated by Taiwanese curator and art critic Chia Chi Jason Wang. >> Read more
Commentary, 2014.01.03 Fri, by

Pearl Lam Galleries participates in Art Stage Singapore 2014

Pearl Lam Galleries is delighted to announce their participation in Art Stage Singapore 2014.The booth selection has been carefully chosen in dialogue with the opening exhibition of Pearl Lam Galleries’ fourth major space in Asia; launching 17th January 2014 in the Gillman Barracks, >> Read more
Commentary, 2013.10.29 Tue, by

Art Taipei 2013

Pearl Lam Galleries participates in the 20th edition of ART TAIPEI 2013。 Presenting works by Michael Chow aka Zhou Yinghua ~O-O~, Jenny Holzer, Jim Lambie, Li Huasheng, Jason Martin, Juju Sun, Tsang Kin-Wah, Michael Wilkinson, and Zhu Jinshi >> Read more
Commentary, 2013.05.21 Tue, by

Art Basel Hong Kong 2013

An introductory word on Art Basel Hong Kong 2013, with a run-down of select booths to look out for at the fair.
 
 
 
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Commentary, 2013.03.22 Fri, by

Sensual Monsters

“Lush,” “sensual,” and “gleaming” come to mind when looking at Jason Martin’s paintings. The artist very physically molds these turbulent, whirly surfaces with his hands, creating gestural forms that blur the distinction between the pictorial and the sculptural all the while highlighting the primacy of the medium itself... >> Read more
Commentary, 2011.05.05 Thu, by

Review of Liu Wei’s “Trilogy” — Part II

Minsheng Art Museum, Shanghai. March 20 to May 3, 2011 Liu Wei’s ‘Trilogy’ at Minsheng Art Museum, Shanghai Part II — Read Part I of this review here  The Gothic flying buttresses seem to have developed, at least partly, out of two series of work: Liu Wei’s composition of recycled windows and doors, “The Outcast,” (2007; also previously shown […] >> Read more

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