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2014.04.05 Sat, by

Zhang Hui:Plaza

“Plaza”, his new solo exhibition at Long March Space takes its name from "this search to find a relatively tranquil, yet fleeting space of temporary respite" in an existence of perpetual free-fall. T >> Read more
2020.12.17 Thu, by

Boundaries Ahead – Oh Bay Art Project, Shenzhen

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
Artist profiles, 2020.09.01 Tue, by

Show and Tell: Cao Yu’s Gendered Embodiment

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
Artist profiles, 2020.06.30 Tue, by

Recovery, See-Saws, and Turbulence

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more
Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Interviews, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
Interviews, 2020.04.20 Mon, by

The End of the World

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
Interviews, 2019.11.19 Tue, by

Entries open for the 14th edition of Arte Laguna Prize, Venice

In addition to the exhibition in Venice at the Arsenale, the contest lands in Moscow and the cash prizes increase Applications are open for the fourteenth edition of Arte Laguna Prize, one of the most influential and longest-running competitions for emerging artists and designers. The Prize continues its mission of promoting creative talents through art […] >> Read more
Interviews, 2019.09.03 Tue, by

China art market at greatest risk since 2008
(but also a great opportunity)

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more
Interviews, 2019.05.27 Mon, by

Healthier, Simpler, Wiser.

Edouard Malingue Gallery Shanghai announces its new group exhibition, “Healthier, Simpler, Wiser.” The exhibition brings together three highly reputed mid-career Chinese artists: Hu Xiangqian from Guangdong, Lai Chih-Sheng from Taipei, and Kwan Sheung Chi from Hong Kong. Each will present a work newly commissioned by the gallery, together with a selection of recent works. While […] >> Read more

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