randian | 燃点

From the serious to humorous, the voyeuristic to observed, the real to the imagined, “Haze and Fog” (2013) presents another collective identity of China today by commenting on the rapid construction of the contemporary metropolis... >> Read more

Dong Bingfeng has been announced as the winning critic for 2013—his entry being the proposal for a book entitled Cinema of Exhibition: Film in Contemporary Chinese Art. >> Read more

What is the effect when an exhibition is recommended? Of course, it depends on the source: if one values their judgement, expectations are lighted — a will to like it, even, conscious or unconscious. If not — and before one has even seen it — a flat feeling might develop around the show in question... >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

It questions that self-adjusting process of fitting oneself into environments in order to survive, be at one. It goes a step further, however, and proposes: with the frequency of these constant shifts, are they indeed ephemeral in nature, or rather the foundations of a permanent future? >> Read more

If the task of the classical painter is descriptive persuasion, >> Read more

Tang Contemporary Art is proud to announce the opening of Zhao Zhao’s solo exhibition “In Extremis” on July 14, 2018，in the first space of Beijing. This exhibition is curated by Cui Cancan. >> Read more