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Artist profiles, 2013.10.31 Thu, by

Kwan Sheung Chi: Too Simple, Sometimes Naïve

More so than whatever a prize like this might mean to the artist, however, is the question of what his success in Shanghai indicates about the Chinese art world at the moment—and, by transference, what role Hong Kong is playing in relation to this system. Whereas artists working in Hong Kong were once fond of saying... >> Read more
Artist profiles, 2013.02.22 Fri, by

Flatstone

de Sarthe Gallery is pleased to present for the first time in Hong Kong the large-scale sculpture by Mariko Mori "Flatstone". >> Read more
Think, 2013.02.07 Thu, by

Refined, All Too Refined: A Trend of 2012

As we might have imagined, the Chinese art scene of 2012 was full of glitz and clamor. This was demonstrated most aggressively through the curation in the first large-scale solo show of the year... >> Read more
Interviews, 2012.05.08 Tue, by

China Kiev — David Elliott chats with Randian

randian: The biennale is titled "The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art." What’s it about?David Elliott: Well, it’s like all my large shows of contemporary art in that it gives a particular take on what is happening now and on why some of the best art being made is absolutely central to a wider appreciation and experience of the world. >> Read more

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