randian | 燃点

This letter is penned after PRACTICE has been around for two years, >> Read more

As an annual exhibition featuring works by artists from Northeast Asia, “Asia Corridor” could have the potential to delve into some rather interesting and seldom-broached issues in this region. >> Read more

(中文) 《亚洲回廊现代美术展》是东亚文化之都2017京都核心期间的现代美术部门的主要活动，该展览将展示来自中日韩的25组艺术家的作品。（2017年8月19日到10月15日，京都二条城，京都艺术中心） >> Read more

(中文) 作为一个业余艺术写作者，我时常在展览上对作品背后的意义揣摩猜度，斟酌字句去权衡对作品的理解和对现状的思考，在这过程中消耗了太多感受的能量，在时下你方唱罢我登场，层出不穷费解的局面中，也常迷离出戏，此时此刻，音符所施予的力量却是如此简单和直接。 >> Read more

Almine Rech is proud to present Of false beaches and butter money, the gallery’s first solo exhibition by Canadian artist Chloe Wise. >> Read more

Summer is the season of infinite possibilities, unbridled play, and paradox. >> Read more

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more

For his first solo show in Seoul, Daniel Arsham presents a series of new pieces inspired by daily objects shown through the prism of destruction—a recurring narrative in his work—with the use of precious materials. >> Read more

The group exhibition “You won’t be young forever” curated by Biljana Ciric last November during the Shanghai Biennale did not yield any surprises. She has always insisted on institutional critique as her modus operandi, and now a new batch of artists who haven't yet entered the mainstream has appeared. >> Read more

The Tina Keng Gallery is pleased to present Best Time of Year Falls in March, the second solo exhibition of Chinese artist Peng Xiancheng in Taiwan. >> Read more