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The Fall of a Curator:
“Nostalgia,” a contemporary East Asian art exhibition, opened recently at the Shanghai Museum of Contemporary Art. Presenting works by 14 Chinese, Japanese, and Korean artists, the exhibition puts forward the wish for a certain nostalgia towards the traditional arts... >> Read more
chi K11 art museum, Shanghai: Guan Xiao presented in association with the ICA, London; and Neïl Beloufa
The K11 Art Foundation (KAF) is proud to present the exhibition Neïl Beloufa: Soft(a)ware, >> Read more
Weaving & We: 2016 Hangzhou Triennial of Fiber Art announces overall exhibition plan
2016 will see the Second Hangzhou Triennial of Fiber Art. >> Read more
The ICA and K11 Art Foundation present ZhangDing, ‘Enter the Dragon’
This autumn the ICA, London, will collaborate with K11 Art Foundation, to present the first solo UK institutional exhibition of Chinese artist Zhang Ding, entitled Enter the Dragon. >> Read more
Meanwhile, in Chengdu…
Scheduled for completion on 2013 is a brand new art district in Chengdu: "Blue Roof Art Base". >> Read more
Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation
From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’
Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.
Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Show and Tell: Cao Yu’s Gendered Embodiment
Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
