West Bund 2013: A Biennial of Architecture and Contemporary Art
The West Bank Architecture and Contemporary Art Biennale 2013 will be held in the waterfront of Xuhui District, Shanghai in October, 2013. >> Read more
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Art in the Age of Mass Production: Is the Long Museum Just Another Museum?
With money and space, the Long Museum has potential, but do they have the curatorial chops to turn a building into a museum? Despite a less-than-mind-blowing first show, it's nonetheless a good place to see a very extensive collection of Chinese art. >> Read more
Li Gang – “Lateral Edge”
Galerie Urs Meile is pleased to announce the opening of “Lateral Edge”, the latest solo exhibition by artist Li Gang (*1986 in Dali, Yunnan Province, China; currently living and working in Beijing, China) at our Beijing gallery on March 2, 2013. This will mark the third exhibition for Li Gang at Galerie Urs Meile, following […] >> Read more
MadeIn, MadeIn, Everywhere…
MadeIn Company has temporarily located their studio space within the confines of Minsheng. Wang Kaimei questions the motives and efficacy of this aesthetic residency.
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Matt Hope
Saamlung announces a new solo installation project from artist Matt Hope. For his first solo presentation in Asia after five years working in Beijing, the artist will create a disorienting sensation of contrasting experience with an apparatus that simultaneously focuses the viewer on the physical experience of the gallery space while also transforming it into […] >> Read more
Is Art Being Commoditized? Art vs Gold
Since the Financial Crisis, there has been consistent talk of why the art market has managed to sustain relative buoyancy compared to previous crises. One reason is perhaps that art is beginning to show increasing characteristics of fungibles such as commodities. >> Read more
Made Up Interview
Chris Moore talks with MadeIn Company founder, Xu Zhen about their latest group exhibition at ShangART Gallery and H-Space, "Action of Consciousness." >> Read more
Spheres of Influence
The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more
