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This summer, Blindspot Galley is delighted to simultaneously present two programmes: "Play & Loop" a 7-week screening programme, and "Happily Ever After II" featuring the works of this year’s and last year’s art graduates. >> Read more

ART LABOR is thrilled to present new photographic works, >> Read more

Michael Lindeman’s, An Awkward Dance is a complex exploration into his own identity, >> Read more

Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> Read more

Shanghai—Pearl Lam Galleries is pleased to presentA Long Line Without a Word, >> Read more

Spring Workshop is honoured to present Tai Kwun Contemporary’s inaugural exhibition Dismantling the Scaffold. The show has grown out of an auspicious convergence of timing. As Spring Workshop begins a planned hiatus after five years of collaborating with non-profit organisations and artists around the world, Tai Kwun Contemporary undertakes its first collaboration as a new cultural hub. With […] >> Read more

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2014 was a special year for the artist Zheng Zhou. >> Read more

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more