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访谈, 2013.03.08 Fri, by

Animation Now #3: Chen Shaoxiong

Chen Shaoxiong (b.1962, Guangdong) studied printmaking at Guangzhou Fine Art Academy. He is a founding member of the (in)famous Big Tail Elephant Collective, which also included Chen Zhen. His work often employs traditional media, such as brush work, that is then transformed through new media, such as video... >> Read more
Think, 2013.01.06 Sun, by

Vortex #1 Bai Yiluo

(中文) 当代图像的主题与文化基因 >> Read more
Think, 2012.12.20 Thu, by

Collective Belief

In this, the 6th iteration of their collaborative Project Without Space, Chen Shaoxiong and Liu Ding occupy Pekin Fine Arts with a series of hybrid paintings, "Aboriginal" works and discursive video.


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Think, 2012.12.10 Mon, by

Chen Shaoxiong: Air-Dry History

Chen Shaoxiong: Air – Dry History Solo Exhibit at Pekin Fine Arts (Hong Kong) Exhibition Dates:   15 Dec, 2012 – 31 March, 2013 Opening Reception:   15 Dec , 2012, 2 – 6 pm Venue: Pekin Fine Arts: Union Industrial Building,48 Wong Chuk Hang Road, Aberdeen, Hong Kong Artists’ Statement: At a time when we […] >> Read more
Think, 2012.11.09 Fri, by

John Clang
Martin Parr
Wassink Lundgren

Pékin Fine Arts hosts three simultaneous solo photography exhibitions featuring renowned photography artists John Clang, Martin Parr and Wassink Lundgren >> Read more
Think, 2012.09.09 Sun, by

Hong Kong

Hong Kong - An overview of the leading art museums, institutions and commercial galleries. >> Read more
Think, 2012.06.14 Thu, by

The Handover

As ARTHK slowly turns into Art Basel, Randian takes stock >> Read more
Think, 2012.05.02 Wed, by

Manners of Smallness

Temu reflects on the scale of ideas and the smallness of meaning. In this season of rebirth, instead of rushing to "predict" formulaically the trends in this year’s contemporary art, perhaps it is more worthwhile to think of what was thoughtful and meaningful in the past year. >> Read more
Think, 2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Interviews, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

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