randian | 燃点

Don Gallery is proud to announce Beijing-based painter Li Shan’s first solo exhibition at the gallery. The exhibition, titled “Fuxing Renaissance,” brings together recent works as well as paintings dating from the early and mid-1970s, many of them rarely seen or exhibited before. Urban and natural landscapes have preoccupied the artist continuously for more than […] >> Read more

Curated by Bao Dong 09.12.2016 – 26.02.2017 Opening｜开幕时间：2016年12月9日 16:00 – 18:30pm Duration｜展览日期：2016年12月9日- 2017年2月26日 Location : de Sarthe Gallery – Beijing, 328-D, Caochangdi, Chaoyang District, 100015 Beijing, China 地址：北京德萨画廊，北京市朝阳区草场地艺术区328-D de Sarthe Gallery is pleased to present a solo exhibition by Liang Ban, entitled Landscape Browser, opening on December 9th in Beijing. Featuring new work that encompasses […] >> Read more

We are compelled to ask what it is that makes a once rich history constantly look back, restore and purify itself, so much that we can only observe and reflect on a single point on its temporal axis? >> Read more

For a long time M50 and Moganshan Road was Shanghai’s (very) little 798 District. It was the cynosure of art production, with ShanghART and major artists like Zhang Enli and Xu Zhen long-term residents. But ShanghART has moved to the new West Bund cultural district, as has Aike Dell’arco and MadeIn Gallery. More than once […] >> Read more

On November 6, 2016, Permanent Abstraction: Epiphanies of a Modern Form in Escaped Totalities will open at the Red Brick Art Museum in Beijing. The exhibition is curated by Su Wei and Sonja Lau. >> Read more

In Yang’s work, a diaristic creative process renders all materials pure and non-referential. >> Read more

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more

This piece of work shows the methodology Liu Xinyi uses to produce knowledge: he glides from one image to another, connecting things that do not belong to the same category. >> Read more

The object of interest is not the totality of contemporary art in the 1990s, but a specific issue therein, namely, “the issue of exhibition”—to study this issue is to study the relationship between contemporary art in this period and its social context. >> Read more

From 19 September to 19 November 2016 , the Ullens Center for Contemporary Art (UCCA) presents “Zeng Fanzhi: Parcours”, >> Read more