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Michael Werner Gallery, New York is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 21 February. This exhibition of paintings is a visual history of one of the most important artists to emerge from post-war Germany and spans four decades of the artist's career from 1974 to 2007. >> Read more

At the beginning of the New Year, Vanguard Gallery is presenting paintings and video installations works by Jin Haofan, Liao Fei and Kelvin Kyung Kun Part for the Warehouse Story series this year. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

Simon Lee Gallery is pleased to present an exhibition of new paintings by Dexter Dalwood, his second to be held in the London gallery. ‘In this modern world where everything plays out fast and it plays out in the open at incredible speeds and just when it seems like we are all in on it […] >> Read more

In Slapstick, Todd Bienvenu’s new show at Almine Rech, comedy springs from the physical world failing human ambition. His scenes teem with raucous energy, feeding off the kind of ugly emotions usually swept under the carpet by art world good manners. Humiliation, embarrassment and loss crash-land into his canvases like uninvited guests. Bienvenu’s eye is compulsively […] >> Read more

Hao Jingban’s first solo exhibition at Blindspot Gallery — “Uninvited Guests” – will feature three new video works from the artist’s most recent project using the Manchukuo of the 1930s-40s as background. The artist conducts historical investigation, archival research, field study and personal interviews, tracing back to the propaganda, drama and documentary films, as well as related figures, from the period of the Manchukuo Film Association. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Michael Werner Gallery, London is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 16 November. >> Read more

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more