randian | 燃点

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

(中文) 陈界仁先生（下文均用陈先生代替）对卞卡（下文均用卞代替）发表在《燃点》的《现实、诗学和谱系，然后呢？》一文的指控，我们感到遗憾。 >> Read more

Taikang Space will present “Genders Engender”, a major exhibition of the year, accompanied by forums, workshops and publications altogether. >> Read more

Para Site is delighted to present A beast, a god, and a line, curated by Cosmin Costinas. >> Read more

Feng Bingyi’s creation is constructing a world that belongs to herself with her great courage. >> Read more

Why walk in areas adjacent to the museum? Why couple the acts of walking with exhibition viewing? Even if the practice of the institution is intimately connected to the local environment, this doesn't necessarily mean that bundling the acts of walking, discussion and exhibition viewing together is a comprehensive response to this issue. >> Read more

Chen Chieh-jen’s new exhibition “A Field of Non-field” is a show that demonstrates refinement, not only in its sleek, grey visual effects, but also in the artist’s work combing through and neatly displaying the contextual relationships that exist between every single element in the exhibition—and on top of this, all of it done to the tune of his concise aesthetic temperament: solemn, neutral, calm. >> Read more

At the beginning of the New Year, Vanguard Gallery joins hands with 0 Art Center to present Liao Fei’s new solo exhibition, Res Extensa. >> Read more

In this lecture, Cecilia WU proposes the first scientific methodology of examining action (body)/perception (sound) mappings and DMI design in the context of EVP from the audience’s perspective. >> Read more

(中文) 在学术界，革命和激进的思想是通过与学者和学术传统的某种约定（engagement）实现的，而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文，从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> Read more