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2014.09.23 Tue, by

Ugo Rondinone: “Breathe, Walk, Die”

Each of the clowns is named after a verb—wake, touch, shit, etc.— titles that together form a simplified lexicon of existence. Plenty of art historical references can be thrown at this show—light art, for one, or Tino Sehgal-style HR management—but the crux is an emphasis on just being. “Breathe, Walk, Die,” Rondinone says, is “just a very basic circle of life.” >> Read more
2014.09.09 Tue, by

UGO RONDINONE: BREATHE WALK DIE

The Rockbund Art Museum is thrilled to introduce the very first exhibition in China of the internationally acclaimed artist Ugo Rondinone, born in 1964 in Brunnen, Switzerland, and living in New York since 1997. >> Read more
Interviews, 2012.12.13 Thu, by

A Great Laugh, A Glorious Death

“L’Ombre du Fou Rire" is a survey of the work of Yue Minjun currently on show at the Fondation Cartier in Paris. Through 40+ paintings spanning his oeuvre from its early stages to the present, audiences may witness Yue’s artistic practice — its grimacing faces a favorite image in the media and market — at first hand. Randian editor Iona Whittaker met Yue Minjun at his Beijing studio.... >> Read more
Interviews, 2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
Interviews, 2020.07.26 Sun, by

Mark Ryden: “Anima Animals”

Kasmin and Perrotin are delighted to announce a jointly organized exhibition of new works by American painter Mark Ryden (b. 1963, United States). Featuring approximately forty works from the artist’s latest series, Anima Animals, the exhibition will be on view at Perrotin’s Shanghai gallery from July 3, 2020. This also marks the artist’s first solo show in China. >> Read more
Interviews, 2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
Interviews, 2019.06.08 Sat, by

Imprimitura

(中文) 高远策划的“基底”展览或许是个提醒,无论它的成与败,都在提醒我们应把更复杂的社会现实作为基底,在此之上思考艺术与创造,我们必须主动卷入艺术史与现实纠缠的漩涡中, 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more
Interviews, 2019.04.13 Sat, by

Ways to Get Closer to It—The Inner Flesh of Time—In the Age of Consumable Desires

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more
Interviews, 2019.04.11 Thu, by

Ryan Gander: Some Other Life
Esther Schipper

On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. >> Read more
Interviews, 2019.03.23 Sat, by

Sans Soleil
Edouard Malingue Gallery

If the task of the classical painter is descriptive persuasion, >> Read more

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