randian | 燃点

Chain of Evidence: Lichao’s Solo Exhibition, which includes around 40 oil paintings created by the artist from 2011 to the present, Shu Kewen, Fan Di’an be academic director, will be held on November 9th, 2014 at Minsheng Art Museum, Shanghai. >> Read more

“Evidence”, Ma Ke’s first solo show in Hong Kong, is the materialization of Ma Ke’s profound élan, of his spirit and mind as well as of the most intense peripheries of human existence. 
 
>> Read more

“Evidence”, Ma Ke’s first solo show in Hong Kong, is the materialization of Ma Ke’s profound élan, of his spirit and mind as well as of the most intense peripheries of human existence. >> Read more

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. >> Read more

This year Chronus Art Center (CAC) opens its Lab for the new 3-month Research and Creation Fellowship. This program is designed to host one international artist and researcher of extraordinary talents in the area of new media art in order to conduct research and creation at Chronus Art Center (CAC), Shanghai. The 2019 Spring Research and Creation Fellowship aims to foster global exchange while advancing the discourse and practice of new media art, and contribute to CAC's research and educational mission as well as the institution's future collection. >> Read more

(中文) 倘若今天还能探讨美学效果而不被人嗤之以鼻，我们应从何种角度去思考艺术家的创作或创造？康德很久以前就提示过我们，任何艺术都不如一场战争或一场自然灾害那样令人震撼。战争作为人类各种暴力的集中爆发，而自然灾害是超越人类尺度的狂暴力量，两者都会造成人类难以承受的肉体和精神创伤。 >> Read more

(中文) 前些年，中国的艺术研究只是体现在部分展览和艺术项目中，如今可以在不少艺术家的创作里嗅到，它伴随受欧美教育的一批年轻艺术工作者回归来势凶猛。“研究”受艺术生产者追捧，特别能代表今天艺术正在经历的，一场更大范围的整体转型。 >> Read more

Tang Contemporary Art is proud to announce the opening of Zhao Zhao’s solo exhibition “In Extremis” on July 14, 2018，in the first space of Beijing. This exhibition is curated by Cui Cancan. >> Read more