randian | 燃点

n this exhibition, Bi Rongrong boldly uses the gallery space to create an “absolute” structure of her own personal knowledge. >> Read more

(中文) 四方当代美术馆将于2015年6月8日至2015年8月8日期间举办新展“绝对收藏指南”。 >> Read more

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Introduce A Little Anarchy, Upset The Established Order, And Everything Becomes Chaos >> Read more

Now in his 9th decade, Alex Katz is one of the greatest living artists. Yet Katz remains in a category of his own. We spoke with Katz by telephone about influences, recent shows and the key model for his entire oeuvre, his wife and muse of 60 years, Ada. >> Read more

The affirmation of the value of individual life, and the constant affirmation of other rights on this basis, allows the boundary of "freedom" to expand, and creativity thus continuously flows, actively refreshing the cognition, and the world of experience grows accordingly. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more