The project was called “Nine Square-Meter Museum”, and the Consulate’s drawing room became the exhibition space. The exhibition lasted just one day in order to impart a sense of urgency, and also begged the question, “What possibilities can art bring in nine square-meters and twenty-four hours?” >> Read more
In an age in which he feels artists have become exceedingly democratic, Luc Tuymans adheres closely to the method he has honed over time—mercifully without, he says, a moment of “painter’s block.” >> Read more
I happened to overhear him speaking to someone nearby, saying “all of the burnt books upstairs were once banned.” It turns out I was right—all of Qiu Zhijie’s work and every aspect of his work have always come about with such exquisite reasons.
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