Zheng Chongbin: The Classical Origins of Contemporary Abstraction
It is too early to decide if I am destroying the tradition of ink painting.
—Zheng Chongbin >> Read more
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New Force VI:
The God of Small Things
Leo Gallery, Shanghai
Quite a contrary to the trend in Chinese contemporary art that often manifests grand narratives, including historical consciousness, >> Read more
Zheng Li: An Artist’s Obsession with the Aesthetics of Brush and Ink
Anyone who knows both me and Zheng Li is aware that we are unabashed admirers of each other’s work. >> Read more
Wet Ontology: Thoughts on Ocean Space
The ocean space borrows its designation as a non-space from the fact that it is by law a no-man’s-land: the sea belongs to everyone and to no one. >> Read more
Finally Someone Has Gotten it Right—West Bund Art and Design Proves to Be a Good Model for Dealers and Public
The beautiful venue and generous booths of well-curated international galleries, showing high quality work, has proven a winning formula. We look forward to the next edition! >> Read more
The Static Generation
In Aaajiao’s conception, there is the uncanny suggestion that humans then become the media of which the screens are composed, and vice-versa. Perhaps, more than being just human-orientated, as the essay suggests, one might make the leap to understand something more happening. >> Read more
The “Calm” Before the Storm
A low, flat jumble of dusty wreckage.sits one meter or so above the surrounding downtown sidewalk, but its sides descend to an oddly contrasting edge, a trim rectangle fifteen by eight meters. MadeIN Company’s “Calm” is public art at its best—big and familiar, yet challenging, subtle and brash. Love it or hate it, it provokes a response from everyone. >> Read more
